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Once confirmation has been received that your payment has been successful from your chosen payment method provider, then we can process your order and send your email containing your unique code and instructions on how to download the software from the Supplier.
When completing the checkout, please make sure that your email address is accurate so that we can get this to you as quickly as possible.
14-day money back guarantee included if product is not activated
You can purchase from Gear4music with complete confidence and peace of mind. All of our digital products come with a 14-day money-back guarantee as standard.
If you decide you don't want your order, you can return it within 14 days of receiving it. Provided your product hasn't been activated in that time, you can exchange it for a different product, or get a refund.
We will only issue a new product or refund if the supplier confirms that your product has not been activated. At the same time, we will ask them to invalidate it so that it cannot be used in the future.
This does not affect your statutory rights.
For more information, please refer to our Returns and Refunds Information.
If you decide your order isn't suitable for any reason you can return it - just let us know within 30 days of receiving it. Please keep hold of all the original packaging until you're sure you want to keep the order.
Eligibility for Money Back Guarantee
Important: For hygiene and software licensing reasons, some items are only eligible for our Money Back Guarantee if they are returned to us unused and sealed in the original packaging with all software still "unregistered." Details of exclusions are shown within the product descriptions. Products include:
- Monitors and Headphones
- Earplugs and Ear Protection
- Reeds and mouthpieces for woodwind and brass instruments
- Mouth and Lip-Care Products
- CDs, DVDs and Software
We can collect your return for a small fee, or you can send it back to us yourself. The collection fee can be found in the returns information on each product's page on Gear4music.
In the unlikely event that any item in this order is faulty, damaged or incorrect on receipt, notify us within 14 days and we'll arrange a free collection.
When returning an order please ensure products are appropriately packaged and protected, to prevent them from getting damaged.
This table provides an overview of your statutory consumer rights, compared with our standard returns policy and optional extended money back guarantee and warranty.
| UK & Europe | EU Standard | Gear4music Standard | Gear4music Optional |
|---|---|---|---|
| Return Period | 14 days | 30 days | up to 180 days |
| Standard delivery charges refunded? | Yes | Yes | Yes, up to 30 days |
| Upgraded delivery charges refunded? | Standard costs only | Standard costs only | Standard costs only |
| Free collection on cancellation | No | No | Yes, up to 30 days |
| Free collection if defective, delivered damaged or incorrect item | Yes, within 14 days | Yes, within 14 days | Yes, within 30 days |
We are unable to accept returns of any custom made items designed to work together as a unique package and some items are only eligible for money back guarantee if they are returned to us unused and sealed in the original packaging. For full information on our returns policy, please refer to our returns and refunds information guide.
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Key Features
Rob Papen Predator V1 or V2 Upgrade to V3 is an upgrade option that takes existing owners of either Predator V1 or V2 to the next level. The Rob Papen Predator 3 is the newest version of a classic synthesizer powerhouse. This VST provides you with a library of over 6100 presets, allowing you to get started straight away. And then the capacity for sound shaping is unmatched, with a wide range of controls to dive into.
Please Note: This product requires an active licence of Predator V1 or V2 and comes in the form of a digital download code that will be sent to your email for activation.
Product Ref: 230802
Predator 3 features three oscillators that each include their own sub-oscillators. You can choose from a wide range of waveforms too, that are subtractive analog-modeled, additive spectrum, and user-defined spectrum. Morph between these for shifting waveform effects and use the spread feature to take advantage of 3-oscillator detuning.
Two analog-modeled filters are available with custom routing, and 38 different types to choose from. If you want to add a bit of grit, dial up the pre-filter distortion. And the filter envelope is ideal for adding more shape to your sound with minimal effort.
There is a wide range of modulation options available in Predator 3's architecture. These include the pitch LFO, filter LFO, and four assignable LFOs. Each of these has speed control, tempo sync, multiple waveforms to choose from, and a range of other in-depth controls. There is also a modulation matrix available to use, with 20 slots and a bypass feature.
And for shaping your sound's behaviour over time there are four envelopes with attack, decay, sustain, sustain-fade, and release. These have options for tempo-sync, speed controls, and more in addition.
The amp section includes controls for both volume and velocity. There's also pan control and an EQ mixing menu. And if you want to drive your sound with power, there are 11 distortion modes to choose from.
The four ARPs - A, B, C and D - allow for in-depth performability from the Predator 3. They each have up to 16 steps each, with numerous step features to dig into such as tie, slide, and rachet. In addition, the four ARPs can interact with each other using a selection of different play modes.
You'll also find options for more ARP modes such as 'Chord Mode' and 'Modulating Mode.' And to top it off, you can interface the Predator's ARP with other external units using the MIDI out. All this makes the ARP section the powerhouse of this synth.
Predator 3 is a super-detailed synthesizer, which requires in-depth use to fully grasp. To get started there are over 6100 presets, many of which are from previous Predator synths. This can take you down an unlimited number of sound design paths to achieve numerous synthesis options.
